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• To go the other direction, you can run Yamaha's Studio Manager software and the separate editor-librarian software (Mac/Win). When installed, this combination allows the Motif XS Editor to operate inside your computer's sequencer (see Fig.A).
• Thank you very much for using Yamaha products. We are now testing the compatibility of Yamaha products with Apple's OS X Lion (10.7) operating system.

• Yamaha Motif Xs Downloads

Unveiled several new products at this week's Musikmesse tradéshow in Frankfurt, Australia. Among the brand-new products is the Motif-Ráck XS and thé MM8 synthesizer. Thé Motif-Ráck XS will be a rack-mountable shade creator that contains 1,152 powerful and genuine Voices, 65 drums packages and a synthesis motor for developing custom Sounds. You can playback four voices simultaneously and use five front-panel handle knobs able of adjusting 20 various variables in real-time. You can link the Motif-Ráck XS to yóur computer via the USB port. You can use the standalone software editor to access deeper functions of the rack-mount unit or incorporate it in Cubasé.

Yamaha provides a free editor for Mac and PC that allows access to all features of Motif Rack XS. OS upgrades, drivers from the publisher, the studio manager (for managing multiple devices in the same environment Yamaha) are downloadable on the site YamahaSynth.com.

The Motif-Ráck XS will end up being available in August, 2008 for $1,499.99. Yamaha also launched a fresh synthesizer, the MM8. The fresh synth functions sounds from the Motif and quick edit pulls and arpeggios for current handle of those sounds. Grooves from thé MM8 can end up being recorded to the buiIt-in sequencer ór connected to a computer via USB and documented with your favorite software program.

Yamaha stated they are concentrating on the MM8 to players on phase or in the facility. The MM8 will be accessible in July, 2008 for a retail price of $1,299.99.

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Picture: Paul Cameron Yamaha's Theme range offers proved to end up being both well-known and going through - so can be the most recent incarnation, the Rack XS, your cue to sign up for the Motif party? The possibilities of seeing one of Yamaha'beds Motif instruments amongst a band's line-up are usually fairly high these times, which can become used as an sign of their deserved reputation. The variety has shifted on apace since the launch of the very first generation of Motif keyboard workstations in 2001. Since then we've observed the Motif Rack, Motif ES key boards, Motif Rack Sera, MO6 and MO8 keyboards and, almost all recently, the Motif XS key-boards. It got a calendar year or even more for the first two generations of Theme key-boards to be followed by their ráck-mounted equivalents, ánd the new Motif Stand XS is usually no exception - the XS key boards from which it will be derived possess been around for almost exactly one calendar year. It's i9000 a steady product background, and one that provides seen a quantity of alterations along the way.

The birth of the XS key-boards heralded some substantial changes, particularly to the Motif's activity engine itself. Firstly, the devices were kitted out with a new and more powerful SWP51 build generator, mainly because well as a recently developed wave ROM. Prior tó the XS variety, all Motifs utilized the same basic AWM2 motor: a Motif 'voice' had been built of up to four split Components, each one basically an 3rd party synth making use of tested waveforms as 'oscillators' - an architecture typically discovered in many various other 'Example Synthesis' tools. Nevertheless, the XS raised the bar by doubling the amount of tone of voice Components to eight, and implemented a fresh feature called XA, or Expanded Articulation. This takes advantage of the four additional Components to provide the participant access to substitute instrumental articulations, not really unlike the key-switchable levels offered by software samplers, permitting for better manifestation and realism. The onboard effects also obtained a make-over, which incorporated the inclusion of various modelled 'vintage' effects, while the quantity of preset arpeggiator designs increased to a whopping 6633. The XS key-boards also offer the methods to make your very own arpeggios.

At this stage, the XS keyboards and Rack XS part firm, as the keyboards proceed on to consist of further features not incorporated in this rack edition. The nearly all obvious missing feature is definitely any type of sample or importing of waveforms - indeed, no method of good expansion is certainly possible. Like the XS key-boards, the Rack XS offers no compatibility with Yamaha's i9000 range of PLG growth boards, relying on the inner wave Range of motion to supply all of its uncooked materials. There is no onboard séquencer, éither - but this comes as no surprise on a module which would almost certainly end up being utilized with some type of DAW sequencing software program.

Therefore while the Stand XS could not really be described as 'the Theme XS in a container' in a totally literal sense, the most significant aspects of thé XS - its synth engine, results and preset arpeggios - are all here. (Take note that since the Stand XS provides no audio inputs, the Vocoder Insert impact from the XS keyboards is not included, for obvious reasons.).

Like the Mótifs before it, thé Rack XS continues to support the Yamaha/Steinberg Facilities Connections concept. This combines suitable DAW software (in particular, Cubase 4) with compatible hardware devices to supply a one-click 'Total Recall' environment. As this provides been defined at length in earlier Motif reviews, I make no apologies in mentioning the reader to the Theme Rack Ha sido review in the Might 2005 issue of SOS and the Theme XS evaluation in the Oct 2007 version. I furthermore recommend going to the web web site for more up-to-date info. If you desire to consider the complete 'Overall Recognition' encounter, but your DAW software is not Studio Cable connections compatible, Yamaha kindly bunch a duplicate of Cubase Al with the Rack XS.

All of the other required software program - the Facilities Supervisor and Motif Rack XS Manager, plus the most recent Yamaha USB motorist and the AI motorist for Cubase AI (required for transferring audio and MIDI information to and fróm the XS ánd Cubase if using mLAN) - can end up being downloaded at. An elective mLAN16E2 table can become retrofitted to the XS Stand, permitting for the transmission of 14 stations of audio (seven stereo pairs), in inclusion to the primary stereo and assignable outputs and the full complement of MIDI stations, to your DAW, using a Firewire cable. In purchase to use the mLAN interface, you'll need to install the mLAN Tools software, a package of drivers and applications for transferring audio and MIDI data, also available at the Yamaha web address talked about above. The Rack XS provides two primary modes of operation: Tone of voice Mode, which plays single sounds on the fundamental MIDI channel, and Multi Setting, which is used for 16-Component multitimbral sequencer shows. Multi Setting is also able of another technique of procedure, equivalent to what the XS keyboards call Overall performance Mode, in which the first four Components of a Multi all receive on MIDI channel 1.

The setting is utilized for those muIti-layered, arpeggio-drivén soundscapes fór which the Mótifs are famous. The change to put the Rack XS into Overall performance Setting (known as 'Coating 1-4 Components') can be discovered in the Electricity/General menus, although it would possibly have ended up more practical to possess a front-panel handle. The results also type an essential component of the voice architecture: in Voice Mode, each Preset has (in purchase of signal movement) a two-bánd EQ for éach Element, two Put in Effects, a three-bánd EQ, two Program Effects (called Chorus and Reverb, although the Refrain slot machine can contain other forms of effect), Get good at Results and, finally, at the end of the sign chain, Master EQ. That little lot is going to have a significant impact on the audio! In Multi Setting, the deployment of results requires to be more meticulously considered. Put in Results can be used on up to eight different Components, while all 16 Parts appreciate their own impartial EQs.

The Program Effects, Grasp Effects and Get good at EQ are placed internationally across the main stereo result, therefore should be selected to match the overall blend. In the case of the Expert Results and EQ, these can end up being bypassed altogether if not really required. There are two some other notable enhancements over the Theme Ha sido rack: first of all, Drum Parts can right now be modified in fine detail from within a Multi, meaning that if you desire to modify any one drum sound - filtration system it, modify its envelope, add reverb or deliver it through the Place Results - you can. Subsequently, a Part's Insert Effects can become freely transformed from within á Multi without thé need to return to Tone of voice mode, select new Insert Results for that particular Preset, and ré-save it ás a brand-new version. Notice that both of these functions are just accessible when using the Rack XS software program editor. Still to pay to the Stand XS's detailed and labyrinthine framework, Yamaha must have got made a decision that attempting deep-level editing and enhancing from the front side cell would be more than mere mortals could endure.

This grew to become obvious when I tried to modify sounds at the Component level from the cell: fundamentally, you can't obtain to those guidelines. This is definitely hardly astonishing, given the size of the LCD display and the hellish menu construction that would be required! Parts can end up being edited best down to individual Element degree from within a Multi, making use of the Rack XS software editor. Image: Mike Cameron So front-panel editing and enhancing is restricted to guidelines above the Element level, but even therefore, there'beds still a excellent deal you can perform on the XS Rack itself. Nevertheless, what if you would like to proceed really serious or create sounds from scrape?

Enter the Motif Rack XS Manager, a nice and attractive-looking program that will take the perspiration out of navigating every space and cranny of this complex synth (find display screen on next page). It's a huge enhancement on the editing and enhancing software supplied for the Stand ES, which came as two independent publishers: one for Tone of voice editing and one for Multi Component editing and enhancing, but with no integration between the two. The Rack XS editor, on the other hand, combines both varieties of editing and enhancing into one elegant deal. As pointed out elsewhere, the Manager is available as a free of charge download from (yes, you suspected it), so there'beds actually no excuse for not getting your fingers dirty! The Stand XS's front-panel style will be a revolutionary flying from prior Motif rack models.

First of all, the control keys have been recently redesigned, reorganised and decreased in amount. Four devoted cursor buttons provide navigation through an éasy-to-follow menu program, and a detented button adjacent to the LCD screen is utilized to scroll through presets - pushing this knob inwards provides up a type search windows to help you focus in on the necessary sound. The result volume button and on/off change have been recently mixed into one, and switching the button fully anti-clockwise until it keys to press kills the energy. This could end up being inconvenient if you've established the volume button at a crucial position - you might desire to power up off at the mains socket instead if you put on't would like this place to be modified! The rear -panel of the Stand XS functions a PSU insight socket, a pair of stereo outputs and two assignable outputs, H/PDIF output, MIDI In ánd Out, á USB interface and an extension slot for an elective mLAN panel, should you require additional outputs. Picture: Mike Cameron The most interesting change, though, are usually the five fresh rotary encoder knobs at the ideal of the screen.

While you might expect most of the equipment settings of the keyboard edition to end up being absent on its rack equivalent, Yamaha possess maintained to incorporate some of these current settings in the Stand XS. These knobs control 20 different features, as the surrounding Select switch cycles through four different rows of options, listed above each button. Eighteen of these functions are fixed, while pulls 3 and 4 in the 4th row can end up being freely assigned to the parameters of your option. These pulls might become of restricted make use of if they did not transfer their information over MIDI, but happily they do, which will become of incredible help for anyone whó doesn't own a equipment control surface area. The parameters chosen for these knobs generally operate at the Common Part degree - which is to say that they utilize offsets to the overall sound. Keep in brain that if a particular parameter is definitely not applicable to a audio (for example, if all its Elements' filters are established to 'off'), turning the Cutoff or Resonance pulls will have got no effect!

When you're also functioning with the Stand XS in Multi setting, simply make use of the still left/right cursor buttons to select the Component you desire to tweak. The features of the knobs will then be redirected to that Component, and their motions can end up being documented onto the appropriate MIDI monitor in your sequencer. Contacts on the back panel furthermore differ from prior models. First of all, there are less audio outputs than before - two primary stereo system outs, but only two assignable outputs instead of four. This is certainly an understandable economy, provided that an elective mLAN table can become set up if more outputs are usually needed. (Find the 'Software Assistance mLAN' container.) The remaining connections are a DC insight outlet (for the supplied exterior PSU), MIDI ln and 0ut (but nó Thru), H/PDIF out (but no optical out) and a USB connector - important for using the Stand XS with its fantastic software editor. The XS keyboards saw Motif synths mature into flexible and significant instruments, equally at home on stage or in computer-based studio setups.

The Rack XS provides all the synthesis energy of those devices to a small 1U rack component, but without the sample and sequencing amenities. Many users will find that the manufacturing plant Presets, which protect a broad variety of musical technology makes, fulfil their needs and need only minimal surface tweaking. Good designers and inveterate dabbIers, on the various other hands, will discover that the Rack XS Publisher is invaluable (certainly important) for obtaining to all thé deeper-level parameters that cannot be reached from the top section.

To amount up, if you've currently obtained all your sequencing, sampling and audio requirements covered by your DAW system, the Stand XS will be an perfect method to add Motif XS sounds to your sónic armoury. Yamaha Theme Stand XS £1139 advantages. Waveform Range of motion twice the dimension of the Rack ES. Extended Articulation voice architecture.

Yamaha Motif Xs Downloads

Front-panel real-time controls. Outstanding software program editor.

Downsides. PLG plug-in enlargement boards no longer backed. No onboard sample. Summary The synthesis strength of the Theme XS key boards finds its way into a compact 1U rack unit, but without thé sequencing and sampling amenities. A high-quality and flexible synth module that certainly requires the Theme Rack XS Manager to obtain the many out of it. All items copyright © SOS Periodicals Team and/ór its licensors, 1985-2018. All privileges appropriated.

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